I’m a Whovian, which means that I’m a member
of the Doctor Who fandom. Doctor Who, the smash BBC hit that was named the longest-running science fiction
television show by Guinness World Records, was revived in 2005 after over a
decade of hiatus. Throughout the classic show and modern revival, the Doctor
travels in his TARDIS spaceship through time and space with companions, saving
small cities as well as the entire universe from disaster. Many feminist
Whovians have analyzed the Doctor and his companions’ representations of
gender, race, and sexuality; in this series, I give some of my own
interpretations.
After Rose is parted from the Doctor in Series 2, Martha Jones,
portrayed by Freema Agyeman, joins the Doctor as a companion for his travels
for Series 3. In the modern series, she is the second companion of color (after
Rose’s boyfriend Mickey) and first female companion of color. Her race is rarely
recognized; one of the few exceptions to this rule is when the Doctor takes her
to Elizabethan England in “The Shakespeare Code,” and Martha expresses concern
that she could be taken as a slave because of her skin color.
Martha’s race is tacitly acknowledged in Series X, when viewers
learn that she and Mickey got married. This color match – the happy coincidence
that the only two major characters of color just end up together, despite
originally living in completely separate universes – has not remained unnoticed
by Whovians. Although there is certainly a plethora of fans who ship the two
and write Mickey-Martha fanfic, their marriage is largely unpopular, and I
can’t say I like it either. Mickey and Martha are two very different people,
but past their shared skin color, proclivity for adventure and aliens, and
association with the Doctor, there is little that they have in common.
Although the show itself does not often directly acknowledge
Martha’s race, it is an integral part of how her character is portrayed. Martha
falls into the racialized and gendered trope of mammy, as care of the Doctor
falls into her hands. This is unique to her among all of the companions; when the
other (white) ones are gendered, they are usually treated as damsels in
distress. This caring role can be in the Series 3 episodes “Human Nature/The
Family of Blood,” when the two spend time in 1913 and Martha pretends to be the
Doctor’s maid. Science fiction and feminist writer K. Tempest Bradford points
out that “Human Nature/The Family of Blood” was adapted from a Doctor Who
book about the Doctor and a white companion who pretends to be his niece, not
his maid, making the Series 3 episodes even more troubling.
Martha cares for the Doctor again in the following episode, “Blink,”
when the two find themselves in 1969 and she gets a job in a shop to support
him. It is possible that working as a shop girl is the only job open to her as
a black woman in the 1960s, even though the show has previously established the
undesirability of such a job (after all, Rose runs from her position in that
profession the moment she can) and Martha is a medical student who is qualified
to do much more. Bradford once more faults Doctor Who writers for
putting Martha into an era where she would be particularly vulnerable to
prejudice. Why do they never get trapped in the future, where there is
presumably less racism, or perhaps – even more radically – it is even gone? If
homophobia has been erased by the 51st century, would racism not
also be an extinct social phenomenon, particularly in light of the diverse
number of alien races shown in Doctor Who
that mingle with humankind by that point in the future?
Martha’s mammy-like care for the Doctor is not only physical;
she also takes care of the Doctor emotionally, assuming the responsibility of
helping him heal in the wake of losing Rose. Her facilitation of the Doctor’s
healing is done at her own expense, as she falls into unrequited love with him.
Many Whovians have expressed their frustration with the fact that Martha
possesses this unreturned crush on the Doctor for the entire Series 3. I have
to admit that I really like Martha, but her season-long crush was irritating.
She is a rich character in the first place, rendering the love plotline
entirely unnecessary, particularly because it does not lead to any character
development.
However, not every Whovian holds Martha’s crush on the Doctor
against her. Some feel that it enhances Martha’s character, making her more
relatable. Others defend Martha by pointing out that many people would fall in
love with an exotic person who travels through time with them and takes them on
all sorts of exciting adventures, and that when Martha realized that traveling
with the subject of her unrequited crush was unhealthy, she actively decided to
leave the situation. Martha’s choice to leave the Doctor for self-care, and her
subsequent successful career at UNIT, the extraterrestrial investigations
agency, sets an excellent example to Whovians in unproductive relationships.
Overall, I do think that Martha is a feminist character. Despite
all of the setbacks she experiences while traveling with the Doctor due to both
her race and her gender, she manages to find adventure, enjoyment, and fun during
her visits throughout time and space. Although she is only the Doctor’s regular
companion for one season, her influence on viewers is still strong, encouraging
them to find their way in the universe, whether flying solo or with a partner.
Either way, you’ll still be able to lead a happy, enjoyable life.
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